{"title":"Products","description":"","products":[{"product_id":"600036-edit","title":"'Design For A Fan' 1923 Pastel of Stage Set by Cecil Beaton","description":"\u003cp class=\"p1\"\u003e'Design for Fan', Signed Cecil Beaton at age 19, (1904-1980) \u0026amp; dated 1923, Pastel Gouache on parchment paper\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eArt Sz: 8 7\/8\"H x 11 7\/8\"W\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrame Sz: 15 1\/4\"H x 18 1\/4\"W\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"The Cary Collection","offers":[{"title":"Default","offer_id":431948817,"sku":"11132","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0210\/6626\/files\/DSC_0001_1b427c19-73f8-4f97-a1ad-655643ea2c32.jpg?v=1695055378"},{"product_id":"david-baileys-box-of-pin-ups","title":"\"Gerald McCann: Dress Designer 1965 Half-Tone Print Photo For David Bailey's Box of Pin-Ups\"","description":"\u003cp class=\"p1\"\u003ePhoto Sz: 15\"H x 13\"W\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrame Sz: 20\"H x 18\"W\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ew\/ green lacquer wood frame \u0026amp; lavender mat\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGerald McCann, dress designer, is the Peter Pan of the rag trade: he is in his late thirties but, saucily sporting a Bud Flanagan overcoat, still looks a boy.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHe's a clever businessman with a clever tongue. He's a nice giggly and soft person, but he always surrounds himself with tough people!\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGerald McCann (5 November 1931 – 26 June 2019) was a British fashion designer who was considered among the leading lights of the Swinging London fashion scene, alongside names such as Mary Quant, subsequently moving to the United States to continue his career with Larry Levine.\u003cbr\u003e\u003cbr\u003eAfter early commercial success designing for other brands, McCann established his own label in 1963. He attracted the attention of influential US fashion buyers in the mid 1960s and soon began designing for the American market, as well as for key British fashion retailers targeting the youth market. He moved to the US to work on New York's Seventh Avenue in 1974, returning to Britain some two decades later, where he continued supplying UK fashion retailers.\u003cbr\u003e\u003cbr\u003eIn a profile piece in The Times in 1991, Liz Smith described him as: \"a master of high style at low prices\". The Victoria and Albert Museum (V\u0026amp;A) described him as playing: \"an influential role in the development of the UK fashion industry\". 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He is often known as “The last of the Post Impressionists\" and was one of the great artists of his generation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePaul was born into a French family at Le Havre, Normandy, in 1887.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eHis father was a thriving tea merchant and art collector and his circle of artistic friends included Claude Monet, Raoul Dufy, Camille Pissarro and Pierre-Auguste Renoir. Maze learnt the fundamentals of painting from Pissarro and as a young boy he sketched on the beach with Dufy. At the age of 12, Maze was sent to school in Southampton, England, to perfect his English and whilst there, he fell in love with all things English.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring the First World War, Paul served as draftsman undertaking reconnaissance work. Maze would go to advanced positions, often forward of the British trenches, to produce accurate drawings of enemy positions and other military objectives. The work was very dangerous. He was awarded the Distinguished Conduct Medal and Military Medal by the British, and the Croix de Guerre and Ordre national de la Légion d'honneur by the French.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMaze met Winston Churchill in the trenches and their shared love of painting led to a lifelong friendship. Maze became Churchill's artistic mentor, encouraging him to develop his drawing and painting techniques.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMaze’s book, A Frenchman in Khaki (1934), detailed his experiences of the action that he saw on the Western Front. Churchill wrote the foreword to his book.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAfter the end of World War I, Maze immersed himself in the Parisian art scene. Some of his friends included André Derain, André Dunoyer de Segonzac, Pierre Bonnard and in particular Édouard Vuillard. Vuillard had the most impact on Maze and encouraged his use of the medium of pastels which he felt best suited the style, personality and freshness in his work. Although Maze still used oils and watercolours, pastels became his preferred choice and it was his talent as a pastellist which brought him global recognition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMaze became a naturalized British subject in 1920. \u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIn 1921, Maze moved to London during which time Maze painted many London scenes from pomp and pageantry to the fogs and dismal back streets. He exhibited in many major art galleries in London, America and Paris. In 1939, Maze had his first New York City exhibition and in the foreword to the catalogue, Winston Churchill wrote, \"His great knowledge of painting and draughtsmanship have enabled him to perfect his remarkable gift. With the fewest of strokes, he can create an impression at once true and beautiful. Here is no toiling seeker after preconceived effects, but a vivid and powerful interpreter to us of the forces and harmony of Nature\".\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMaze stated that \"Painters are born, not made\" and \"the greatest teacher is nature\" and so it was in rural West Sussex that he concentrated on painting pastoral landscapes and scenes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 1952 Maze held his first one-man exhibition at the Wildenstein Gallery in New York and that same year, he went on to record the funeral of HM King George VI.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eHe was selected as the Official Painter of Queen Elizabeth II's Coronation the following year.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHis works are in many major galleries including The Tate, Fitzwilliam Museum, Cambridge, Glasgow Art Gallery and Museum, and in private collections worldwide, including that of HM The Late Queen Mother.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eIn a 1989 speech by Churchill's daughter, Lady Soames, she said, \"The famous French artist Paul Maze was a painting companion. 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Opened in 1878 by Joseph Oller, inventor of the pari-mutuel machine, it sits on 92 hectares that belonged to the wealthy banker Jacques Laffitte.\u003c\/p\u003e","brand":"The Cary Collection","offers":[{"title":"Default","offer_id":276640600,"sku":"11674","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0210\/6626\/products\/1_81d20fce-3ba4-47ac-b23f-9f63edfe2370.jpg?v=1603287464"},{"product_id":"das-wettrennen-spiel","title":"Das Wettrennen-Spiel Steeple-Chase","description":"\u003cp class=\"p1\"\u003eClassic c1910s Baden Baden, Germany 'Das Wettrennen-Spiel', Steeple Chase (framed) (100 slots) game board with great colour graphics\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eImage Sz: 27\"H X 17 1\/2\"W\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrame Sz: 32\"H x 23\"\u003c\/p\u003e","brand":"The Cary Collection","offers":[{"title":"Default Title","offer_id":276640714,"sku":"11683","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0210\/6626\/products\/PA281931-Edit.jpeg?v=1558098237"},{"product_id":"f-rebour","title":"\"Steeplechase Jockey Pen \u0026 Ink Sketch\" by Francisque Rebour","description":"\u003cp class=\"p1\"\u003eClassic pen and ink steeplechase sketch\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eSigned (LR) by F Rebour (French b. 1842-)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eArt Sz: 8\"H x 11\"W\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eFrame Sz: 14\"H x 17\"W\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003ew\/ gilt bamboo frame\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"The Cary Collection","offers":[{"title":"Default Title","offer_id":276640752,"sku":"11684","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0210\/6626\/products\/PC022232-Edit.jpeg?v=1558098237"},{"product_id":"the-grand-national-canal-turn-1","title":"'The Grand National, Canal Turn' 1920 by Cecil Aldin","description":"\u003cp class=\"p1\"\u003eColour plate by Cecil Aldin (1870-1935) of 'The Grand National, Canal Turn'\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePrint Sz: x 6\"H x 11 3\/4\"W\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrame Sz: 7\"H x 12 1\/2\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis is one of a set of four views Cecil Aldin painted of the Grand National, which were published by Richard Wyman in 1920. The others in the series are The First Open Ditch, Bechers Brook and Valentines Brook. The Grand National in 1920 was a particularly exciting race, in which only five horses finished. The winner was Troytown at 6 to 1, ridden by Mr Jack Anthony and trained by Algy Anthony. The Canal Turn is negotiated twice during the Grand National, as the eighth and twenty-fourth fences. It is notable particularly for the sharp left hand turn which the riders have to take as soon as they have negotiated the fence. The turn is almost a right angle and it is not uncommon for jockeys to be unseated as they lose their balance, which has obviously happened in this case. This is a particularly unusual subject by Cecil Aldin, because he actually includes himself in the picture, on the left, with his groom. Later in his career, Aldin often sketched from a coach, which he had swapped with a friend, Godfrey Heseltine, in return for a life-size portrait of a heavyweight basset. 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